Carol’s Concerts
February 24 – 25, 2024
Awash in colorful orchestration made possible by a larger orchestra of strings, winds and plucked instruments, this unique program reflects a long-awaited Sinfonia bucket list of contralto and soprano arias that range from heartrending to hilarious. Enjoy music of Bach, Handel and Rameau, featuring the artistry of rising star soprano Chea Kang and the extraordinary contralto Sara Couden.
Our February concerts are dedicated to Sinfonia Spirituosa’s treasurer, Carol Perrin, who passed away in December 2023 after fighting multiple battles with cancer. This ensemble exists because of her vision, passion, and dedication. We will forever be profoundly grateful for Carol’s warm friendship and her unwavering support. Her loss is and will continue to be keenly felt.
Sacramento Concert
Saturday, February 24th, 2024, 4pm
Trinity Episcopal Cathedral
2620 Capitol Ave, Sacramento, CA (map)
Parking is available in the Sutter Community Garage at N. and 27th Street, with a weekend flat rate of $10.
Advance Tickets: $25 General/$10 Student (click to purchase)
(note: online sales end at noon on the day of the concert)
Tickets at the door: $30 General/$10 Student
Davis Concert
Sunday, February 25th, 2024, 4pm
Episcopal Church of St. Martin
640 Hawthorn Lane, Davis CA 95616 (map)
Free parking is available in the large lot on the church property.
Advance Tickets: $25 General/$10 Student (click to purchase)
(note: online sales end at noon on the day of the concert)
Tickets at the door: $30 General/$10 Student
Program
(for both Sacramento and Davis Concerts)
- George Frederick Handel
- From Agrippina, HWV 6
- Overture
- “Voi che udite il mio lamento” — Sara Couden, contralto
- “È un foco quel d’amore” — Chea Kang, soprano
- From Giulio Cesare in Egitto, HWV 17
- “V’adoro pupille” — Chea Kang, soprano
- From Silla, HWV 10
- “Senti, bel idol mio!” — Sara Couden, contralto
- From Theodora, HWV 68
- “To thee, thou glorious son of worth” — Chea Kang, soprano and Sara Couden, contralto
- Johann Sebastian Bach
- Cantata BWV 54, Widerstehe doch der Sünde — Sara Couden, contralto
- Jean-Philippe Rameau
- From the ballet-opéra comique, Platèe
- “Que ce séjour est agréable” — Sara Couden, contralto
- Menuet 1 & 2
- “Air de la Folie” — Chea Kang, soprano
- Rigaudon 1 & 2
American contralto Sara Couden is a premiere interpreter of opera, oratorio, chamber music, and art song. Praised by Opera News for her “unusually rich and resonant” voice, Sara has thrilled audiences worldwide on stages including the Metropolitan Opera, Carnegie Hall, the Los Angeles Philharmonic, the Cincinnati Symphony, the Philadelphia Orchestra, the Charleston Symphony, Philharmonia Baroque Orchestra and St. Pete Opera. Sara is a graduate of the Lindemann Young Artist Program at the Metropolitan Opera and earned a master’s degree with Honors in Opera from the San Francisco Conservatory of Music. She is also an early music enthusiast and holds an A.D. in Early Music, Chamber Music, and Oratorio from the Yale Institute of Sacred Music.
Korean soprano Chea Kang holds a Master’s degree from the San Francisco Conservatory of Music, and is currently earning an Artist Diploma at SFCM studying with César Ulloa. Ms. Kang made her San Francisco Opera debut last fall as Sister Catherine in Dialogues of the Carmelites. In the summer of 2023 she was a young artist participant at the Georg Solti Accademia Bel Canto Course in Italy. She was the recipient of the John Erskin Prize at The Juilliard School, where she received her Bachelor’s degree in 2021. During her studies at The Juilliard School, she performed as a soloist in the 2020 production of New York Festival of Songs “Cubans in Paris,” led by Steven Blier at the Peter J. Sharp Theater in New York City. Ms. Kang has performed leading operatic roles at the San Francisco Conservatory of Music, including Servilia in La Clemenza di Tito by Mozart, Cleopatra in Giulio Cesare by Händel, Emilia in Flavio by Händel, La Princesse in L’enfant et les sortilèges by Ravel, and Lauretta in Gianni Schicchi by Puccini.